This will put you in a cycle where you feel like your reeds are not responding well enough, so then you will scrape extra cane off…which makes the reed go flat…then you clip the reed to bring the pitch up…which makes the reed less responsive…so then you scrape more cane off…which makes the reed go flat…etc. Also included is my guide to scraping oboe reeds that is available for download. Struggling with your reed making? Play for a short practice session focusing on fundamentals you know well. Tiffany DiPiazza on holding the reed and scraping the back. OK, even though you can only play on one reed at a time, you never know what will happen to that reed. If you try working on an over-soaked reed, you will try to fix problems that aren’t really there. There are claims that thin metal helps make the reed more responsive. Scrape the reed several times on each side from one corner to the other. Clipping the tip brings the pitch up, but makes the reed less responsive. All. The size of the reed opening can also be mistaken for hardness. Push the reed all the way into the oboe, until the reed will not go any farther. In general, if a reed is too hard for me, I might scrape more cane out of the blend area or scrape more out of the top and bottom corners of the tip. Check out the oboe reed measurements page to see how I make my reeds. Yes, I've made good reeds with my Mack+ shaper tip at 70.5 or 68.5 mm, but it's rare. In order to make the reed more responsive, thin the tip! Try the reed in the oboe starting the notes without the tongue. Taking more cane off of the heart and windows will make the reed respond more easily in the low register, but if you take too much off the reed will go flat. By having some restraint to our sound, it will improve the tone quality. Lessons. Make your reed quickly and efficiently. It's easy to say quality is more important than quantity, but be careful with that saying because you also need a large quantity of reeds just in case something changes. You never know what you'll need because you won't necessarily know how a reed breaks in. See more ideas about Oboe, Oboe reeds, Oboe reed. If your oboe is not adjusted properly, you might try to scrape too much cane out of the reed. The tip should be scraped thin enough to easily start the sound. 1. The two reeds are placed face-to-face and are strapped to the metal pipe with strings. Oboe Reed Medium Soft Oboe Reeds Cork Reed Wind Instrument Parts with Transparent Tube Sleeve. Try not to scrape on a reed for more than 20 minutes at a time. Aug 20, 2018 - Explore Andrea Oosterhouse's board "Oboe" on Pinterest. If you are having a problem with your reed(s) the first step should Sometimes, fixing the opening of a reed can make the response closer to your preferences. Skill Level. Pieces by Bach require more restraint in your sound, but you would still want the reed to respond easily and not be too tiring to play on. I wasn't sure at first if it was too long, but comparing it to the reeds the other players in my section use, there is a noticeable difference. You can also look at the transitions between the tip, heart, and windows. […] How To Make Oboe Reeds (Tim Feil): Reed Response […], The size of the reed opening can also be mistaken for hardness. The oboe reeds for beginners that are chosen must play in tune, with proper residence for the specific student.The oboe reed should also be responsive so the student can articulate notes softly or loudly in all registers of the instrument. It takes longer to finish the reed, but your results are worth it. Try adjusting the opening of the reed to make it easier (or harder) to play and to change the pitch of the peep crow. Only use your air. If there is a problem with a reed being too open or closed, it should be addressed directly. Some oboists prefer to play on harder reeds, but that shouldn't affect the response. You won’t have as much tension in your wrists, shoulders, arms, or back. This means that the reed should have the same thickness of cane on both front and back blades and on each half of both blades (see diagram, left). For an oboe reed to work at it's best (vibrate at its optimum level) it needs the be correctly balanced; the reed should have the same thickness of cane on both front and back blades and on each half of both blades (see diagram, left).. If there is a problem with a reed being too open or closed, it should be addressed directly. Sometimes, fixing the opening of a reed can make the response closer to your preferences. Moving between an B and an A should feel the same as moving from an A to a G, and from G to F#, and F# to E and so on. How to Balance an Oboe Reed. The opening of a reed is mostly determined by the cane's diameter, the gouge, shaper tip, and tying length—basically all the things that happen before you start scraping a reed. Just move one finger at a time and make sure each note slurs and responds just as easily as going between a B and an A. I make oboe reeds primarily by the crow of the oboe reed. Ideally, this should work as you go down to an F#, E, D, C, low B, and low Bb. My oboe reed making philosophy I think it may be helpful for customers to understand my thoughts on oboe reeds, reed making, and playing the oboe to get an idea of how my reeds may work for the individual purchasing them from me. (Note: While this is a reed making blog, keep in mind that your oboe needs to be in impeccable adjustment. That means that a professional who plays on hard reeds should still be able to play low notes reliably. Pieces by Stravinsky might call for a more aggressive attack. Details and insight. Ok, yes, you need to have a few very good reeds for a concert or audition. By clipping the reed, the reed became more open. And then some reeds will just be bad—I expect to just throw away one or two out of every ten reeds (but keep the staple of course). Your reeds will also over-soak if you are working on them too long. But, because reeds are unpredictable and can change based on the weather, you will want to have a variety of reeds ready. Reeds can be really open when they are brand new. Some people like to play with harder reeds than other people, but having a variety of reeds can help you in situations that are atypical. There are times when I make a batch of reeds that all seem to die within a few days, but then the reeds that were too hard at first are still useful. To grip the keys then, is an almost alchemical process, more aligned with wand-making than blacksmithing cane the! 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